Oregon Shakespeare Festival presents a panel of three remarkable technical theatre experts. Join us for a compelling discussion with:
Amanda Haverick: OSF Charge Scenic Artist
Tasia Simon: OSF Scenic Administrator
Ryan B. Callahan: OSF Head of Automation
Technical theatre is sometimes called stagecraft. It is arguably one of the most important aspects of any production because no production could exist without it. It helps the audience understand what the time period of the piece is, where the characters are and how they act, and what kind of setting they are in. Technical theatre sets the tone for a performance and tells the audience where they are, what time it is and what kind of day it is - all necessities for a quality storyline.
Amanda Haverick: Charge Scenic Artist (she/her/hers)
Masters of Fine Arts, California Institute of the Arts, 2012
Scenic Design, Specialization in Scenic Design
Bachelor of Arts, Bradley University, 2009
Theater Production; Minor in Religious Studies, Art History
Previous Experience:
La Jolla Playhouse, La Jolla, CA;
Pennsylvania Shakespeare Festival, Center Valley, PA;
Illinois Shakespeare Festival, Norman, IL
Tasia Simon: Scenic Administrator
Tasia Simon spent 20 years as a carpenter in the OSF scene shop. She is currently the Scenic Administrator. She is deeply interested in the intersection between science and art. Her ultimate career goal is to be a force for good in creating an environmentally sustainable future for Theatre.
Ryan B. Callahan: Head of Automation
Ryan is a Stage Automation professional with a decade of experience in motorizing effects for the stage. As Head of Automation at OSF, Ryan specializes in machine design, fabrication, electrical wiring, programming, and integration of special effects into productions by converting motion-based science into visual works of art that help tell a story and further immerse audiences into the world of the play. Ryan holds an MFA in Stage Automation from UNCSA, and a BFA in Technical Direction from SOU and can sometimes be found using his background outside of OSF, working backstage at local circus collective performances. A heavy investor in harnessing new technologies, Ryan is frequently researching and developing innovative techniques in the world of theatre technology with his colleagues. In his free time, Ryan enjoys a good Netflix binge, baking, and playing the role of amateur music producer in his home studio with his band, Little Omina.